Diacritic

Can I claim the ease of undoing
Today my car moves with a mind of its own
Over the speed bumps of language
It follows the lisps of the road
Until it too becomes an accent unknown

Scenes of Rapture Along Yosemite’s Half Dome Trail

The rain expands everything, gets into every corner, soaks every fiber: our bags, our clothes, our hearts. And there is water in the tent. A puddle has formed in the indentation over our heads; my friend rumbles beside me, punches at it and suddenly I am wet, awake.

* * *

Memory is an abiding boulder. The details fuzz and the spaces fill with trivial green things. Still, in these nights, I am haunted by that monolithic image, the one of hikers rounding up a steep stone staircase in the dead of dark, headlamped and flashlit. A hundred human fireflies twinkling into the thorn crowned forest.

There are ways to worship. There are ways to worship: the roar of waterfalls, omnipotent and omnipresent.

* * *

It is possible, as all things are possible.

* * *

Years from now, can you say, in this dream we were not afraid. Only angels along the way as we climbed, hand over hand, up the line that led us to heaven. Oh but I am godless. Oh but I am without fear. Oh but tomorrow resurrects itself, day after day after day.

Ridges of Mission Gorge

In the odd shuffles of the living, breathing night, I remember her voice and the wrinkled hand that held me asleep those foreign summers on the hardwood floor, lime green electric fan spinning in its corner, my twin sister and I nestled against the leather of her age, the familiar and loving liver spots of Taipei, 1985. Was it from this apartment top that I fell in love with heights: the length of descent measured only by the fanning moon.

* * *

You are older now, the wings on your feet have shed their plumage. Everyday, the Earth expands, her girth and gravity pulls a little more. Those things with weights in them begin to drag: in your chest, in your head, in your stomach. There may have been a time when you sprung forth and never touched the ground. That the Earth birthed you and you shot from its womb, lost to dizzying orbit.

* * *

Tonight, I mark the completion of another book, The Heart is a Lonely Hunter. In the ICU ward next door, IV lines commence to pierce a vein.

* * *

We trudged miles up a narrow beaten trail through Climber’s Loop, followed the rock faces, our march impeded by bee stings and rattlesnakes. I dangle over a chasm and call for tension, rope strung out as my hand grasps for a handhold. This is my first outdoor climb and my heart screams out into the valleys, muscles jammed with electricity. Wrapped around an overhang, my breath becomes a ragged ribbon fluttering into sun; certainly, I am alive, I am at the top of the world, and I want to jump and let the million hidden wings swing me down, wild and wheeling into the late afternoon brush.

* * *

The solitary howl, yellow eyes and claws. Dear Lord, he sat up, something terrible had set upon him, something that crawled in from the streets. So familiar, it could not be named, all the words the world had given it seemed too meek, too mild for something that slunk and stank like swamp mud, breath the color of mildew and forgotten rot, moldering timber. It couldn’t be named. Yet it pursued him.

* * *

After the climb, I went to a party, fueled by delirium, and laughed loudly and made jokes and drank like a madmen. Invincible.

On the second day, I broke and no matter how I tried, it was impossible to translate thought into sentences. Only a fraction of these words made to speech. Later, only a little more onto paper. I tried to explain this to the girl, the one who repeated, “You are very quiet.” My thoughts are like a running river. And speech is the manifestation of artifice, the riot of turbulence and eddies, a trail of chaotics while the fistful of drops stream between the fingers. Hands wet and empty. “Sometimes I cannot speak.” Not with your head leaning into mine.

* * *

My friend had drunk too much. He became miserable and could not move. He lay collapsing from drink, and I followed the trail of mud out of grief, out of distraction. I am thinking about my grandmother who had fallen in the middle of the night, her skull jumbled with memories and blood, who landed from ambulance to hospital bed. “You cannot see her now. Come in two days.” How was I to know at this exact moment she had awoken from a dream, frantic and tearing off tubes and bandages, pulling and pushing at the tip of a needle that pressed against her heart, as if it were a record and her mouth a horn lost in the din of blue scrubbed strangers. The strange cacophony of wolves.

* * *

Here I am, voice and hand poised beside her slumber. The chair sits on a hardwood floor, lime green buzz and blips of pulse the distant howl of thunder. Eyes closed, and empty. “Sometimes I cannot speak.” I will not.

* * *

Various scenes from 4th of July weekend, 2009.

* * *

Edit: All is well now. August.

Questions to Answers

So goes the month, “I’ve run out of things to say. My mouth moves, makes no sound.”

* * *

60 feet below, frozen and floating through the kelp forests off Point Loma, I am searching for ghosts in a green yellow sky; the shapes of boats overhead condense and coalesce, threats of shadow, maybe rain. The body heaves, entangled by currents. Then, my dive buddy swims to me and gestures there with his hand. A school of fish like a flock of birds, a rapture of souls. If my mouth were to open now, would the whole ocean rush in, fill the cavity with salt and wrecks.

* * *

“Since then, all sunrises have been viewed as if standing at the mouth of a cave bound by high tide.”

“Thus we only need to ascertain when ‘then’ arrived.”

* * *

Dear O.,

If your cat could talk, what would it say. I think I am happy, sometimes. Yesterday more so than today. Tomorrow more so than yesterday. I feel like I am getting somewhere, that this time next year, I will have arrived. What would it say: don’t be sad for what’s been left behind.

Sincerely,
C.

* * *

You can’t have contemplation
Without some contempt,

Like this:

In the middle of the night
There is an awakening

The body
Covered with strange dreams,
Skin ablaze;

Do you rise and
Cool yourself by the sea

Or

Beside the sudden hedge
Of darkness,

Do you watch
The ash from your cigarette
Fall on a web, small
And jewel boxed,

The clockwork spider
Struggling to wrap its silk
Around the divine

To make
A tasteless meal
My mouth is never rid.

When Parch Meant Thirst

in these hills
the awakened divine
rouse to chorus

not so unkind
that you cannot lift your legs
and move on

sallied forth to each corner coroner
by every winter wind
unwound beneath the unfurled

to the memory of last night

drunk and standing in front
of a dark, empty house
weighted by bags
and the rain;

if we are alive,
if fortunes are divulged
on tiny scraps of paper
found within a twisted
cookie:

“today, you will find something you have been looking for”

an implication
that something may have been lost
an implication
that something may have been desired

what does it matter now, mother,
if your world is bipolar,
we inhabit the same fault lines
torn by north and a south

only this –

what is remarkable
after nights of clouds
is the moon overhead,
a verging birth

Hounded

Two dirty shingles over a bending blade, this
House reaches through time and space
Learns to cut again; and it cuts, such divisiveness,
Decisively deceptive
Like the lilt of listing laments, the litany of longing
To be cataloged by librarians,
And spoken: your friend is dying,
Your friend is full of inconsistencies…
And more than once, the uncertain narrator pauses,
Breath taken by a sentence that spans a year,
A home to be remembered, brandished, where
Everything changed, sharper than life itself.
In these times, he wonders when joy devised to be
So fleeting; so he says it, the heart
Can be a poem too, composed of fragments
And so hard.

Sissy Fuss

Today,
I am sick of fighting
The last five years of gravitas;
An ill-defined weight
The consistency of sunsets,
A loose and lugubrious bearing
Come undone.

Always
I have clung to the hope
That the gods might intercede,
A sword, a shield, a horse
With wings, and an idea:
Somehow I was meant for more
Than a metaphor
In an improper myth.

Truth is,
We all carry our own boulders
Up that hill, shoulders
Pressed against grit
And grunt,
The significance
Of impetus — a long awaited
Tumble to resume the cycle
In our private dusks,
Freed from the burden of
Light and moss.

So then,
At zenith’s peak a rolling rock
Comes crashing down,
The strange moss grows,
Sick of fighting
Inertia, desperate to hold on –
How can it
As it clings and gathers
For dear life,
Flung every which way.

the world becomes a little colder

[ROUGH DRAFT]

mid april,
the last wind arrives from its forgotten country
beyond the undulating questions of the sea, carries
on jutted shoulders her glacial scent, tundras
and frail purple fragments; your memory of it
– at once heartbreaking and frightful –
is familiar, like an old friend who may have
betrayed you in a previous life.

these days
i am held aloft only by this wind, which is to say
nothing tangible: a junction where two pressures
lead into one or one diverges into two —
the shame of it comes later,
familiar as tropic fruits, their skins
lachrymose and bitter; but still
the wind finagles her entry.

high noon,
just past the sempiternal curvature of morning
these junctions manifest again,
devastatingly metaphorical: two paths into
disparate tunnels like tumors in a cliff –
you are haunted by your old life, as you walk,
as you bite into a pear — the frequency
of junctions disturbs you.

an ending
drone emits from the mountain’s manifold mouths;
shame is the afflatus of the little green
in an inhospitable land, what i lack,
what the morning withheld in its secret heart:
a traveler on a path into darkness, lost
perhaps doomed to exiguous light for
the remainder of his years.

on time
the tunnel swallows you whole, an unmedicated
pill exploding into foolishness: the burrows
are merely overpasses, the daylight
marred only by terrific shadows — yet
you are never certain until the light speaks,
fills you with luminescent relief, just how
much the passage will take.

Block Head

Post removed. Too lame. Too emo.

* * *

Dude. Seriously. Snap out of it.

Bender

You think you know what happiness is,
a big train filled with steam

and everybody’s jumping aboard
to some eager and relentless forward;

Or later,
it’s the unexpected return of a relic
from when constellations were
still young
and unaware of their places in the sky.

A waiting game then,
for those pistons to tremble in —
that far-off whistle
a little too far-off,
or that “later” just a little too late.

When you stepped onto the station’s wooded deck
there was the ostentation of finding something,
a destination maybe

But you never stayed.

One starless night
you wandered off those tracks
and there it was:
the better bright
of your own backward ways.

* * *

For those days when we’ve lost the ability to express ourselves in human terms.