As if all things were meant to wake
In the wrong hours of night
And all waking moments
Measured by the changing light.
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As if all things were meant to wake
In the wrong hours of night
And all waking moments
Measured by the changing light.
we write only what we know
the verbs wake us, keep us awake
with their incense
they surround us, their incessant
songs waking what once was night
now morning
now lunchtime
we write only of our narrow view
while bukowski paened his whores
and his liquors
we pain only for our shadows
these are not friends, at night i drink with
a hundred acquaintances
while my friend is dead, asleep
all his verbs now gifts to outlines
that remain
* * *
Cleaning out the drafts. Written in late 2008.
Sister says, mother never lied
And father never told the truth;
Everything changes after that.
Why did it come so late,
Reason,
In its absence, one might still know
Magnificence, the outpouring of warmth,
Cross-eyed plateaus
From which the sky unfurled
And even keeled solitude,
A favorite companion.
Then it arrived,
Guarded like a gnawed tibia
In the storage closet.
Whole skeletons unraveled,
Filed amongst disco pants
And an odd tweed coat;
A dirty decade of unlaundered secrets.
There is no consolation, not yet,
Mother only knew her truth
Father believed his lies;
Everything changed before that.
* * *
Cleaning out the drafts. Written in mid 2009.
The rain expands everything, gets into every corner, soaks every fiber: our bags, our clothes, our hearts. And there is water in the tent. A puddle has formed in the indentation over our heads; my friend rumbles beside me, punches at it and suddenly I am wet, awake.
* * *
Memory is an abiding boulder. The details fuzz and the spaces fill with trivial green things. Still, in these nights, I am haunted by that monolithic image, the one of hikers rounding up a steep stone staircase in the dead of dark, headlamped and flashlit. A hundred human fireflies twinkling into the thorn crowned forest.
There are ways to worship. There are ways to worship: the roar of waterfalls, omnipotent and omnipresent.
* * *
It is possible, as all things are possible.
* * *
Years from now, can you say, in this dream we were not afraid. Only angels along the way as we climbed, hand over hand, up the line that led us to heaven. Oh but I am godless. Oh but I am without fear. Oh but tomorrow resurrects itself, day after day after day.
In the odd shuffles of the living, breathing night, I remember her voice and the wrinkled hand that held me asleep those foreign summers on the hardwood floor, lime green electric fan spinning in its corner, my twin sister and I nestled against the leather of her age, the familiar and loving liver spots of Taipei, 1985. Was it from this apartment top that I fell in love with heights: the length of descent measured only by the fanning moon.
* * *
You are older now, the wings on your feet have shed their plumage. Everyday, the Earth expands, her girth and gravity pulls a little more. Those things with weights in them begin to drag: in your chest, in your head, in your stomach. There may have been a time when you sprung forth and never touched the ground. That the Earth birthed you and you shot from its womb, lost to dizzying orbit.
* * *
Tonight, I mark the completion of another book, The Heart is a Lonely Hunter. In the ICU ward next door, IV lines commence to pierce a vein.
* * *
We trudged miles up a narrow beaten trail through Climber’s Loop, followed the rock faces, our march impeded by bee stings and rattlesnakes. I dangle over a chasm and call for tension, rope strung out as my hand grasps for a handhold. This is my first outdoor climb and my heart screams out into the valleys, muscles jammed with electricity. Wrapped around an overhang, my breath becomes a ragged ribbon fluttering into sun; certainly, I am alive, I am at the top of the world, and I want to jump and let the million hidden wings swing me down, wild and wheeling into the late afternoon brush.
* * *
The solitary howl, yellow eyes and claws. Dear Lord, he sat up, something terrible had set upon him, something that crawled in from the streets. So familiar, it could not be named, all the words the world had given it seemed too meek, too mild for something that slunk and stank like swamp mud, breath the color of mildew and forgotten rot, moldering timber. It couldn’t be named. Yet it pursued him.
* * *
After the climb, I went to a party, fueled by delirium, and laughed loudly and made jokes and drank like a madmen. Invincible.
On the second day, I broke and no matter how I tried, it was impossible to translate thought into sentences. Only a fraction of these words made to speech. Later, only a little more onto paper. I tried to explain this to the girl, the one who repeated, “You are very quiet.” My thoughts are like a running river. And speech is the manifestation of artifice, the riot of turbulence and eddies, a trail of chaotics while the fistful of drops stream between the fingers. Hands wet and empty. “Sometimes I cannot speak.” Not with your head leaning into mine.
* * *
My friend had drunk too much. He became miserable and could not move. He lay collapsing from drink, and I followed the trail of mud out of grief, out of distraction. I am thinking about my grandmother who had fallen in the middle of the night, her skull jumbled with memories and blood, who landed from ambulance to hospital bed. “You cannot see her now. Come in two days.” How was I to know at this exact moment she had awoken from a dream, frantic and tearing off tubes and bandages, pulling and pushing at the tip of a needle that pressed against her heart, as if it were a record and her mouth a horn lost in the din of blue scrubbed strangers. The strange cacophony of wolves.
* * *
Here I am, voice and hand poised beside her slumber. The chair sits on a hardwood floor, lime green buzz and blips of pulse the distant howl of thunder. Eyes closed, and empty. “Sometimes I cannot speak.” I will not.
* * *
Various scenes from 4th of July weekend, 2009.
* * *
Edit: All is well now. August.
Post removed. Too lame. Too emo.
* * *
Dude. Seriously. Snap out of it.
When I left the office today, the sun was out, and it was bright and furry like it would still be out when I reached home, and the thought of it overwhelmed me; I got so worked up, tears came to my eyes, which is stupid to say how much weather or light or warmth affects me with all its yellow purrs and promises but that’s what happened; Daylight Savings Time rescued me from the tracks and now we’re springing forward hand-in-hand to a brilliantly indistinct tomorrow, just missing the black train rushing down below and past. As if I were a believer of tomorrows.
Dear S-,
This is a mix tape. I’ve come to the conclusion that finding the perfect song is akin to spotting a satellite. You aren’t certain what it is when you first see it; you think, it might just be another star. Astonishment, then, when you realize it is man-made, that it came from the Earth, that you can point up at it and someone a hundred or more miles away could be pointing too and thinking, golly… golly, gee whiz. And, in its own deliberate pace, the satellite crosses over to another sky, maybe beeps a course out of the solar system. But the echoes that bind us never stop. For a moment, we are enclosed by the same musical sphere.
In his memoir, Love is a Mix Tape, Rob Sheffield tells us there’s always a reason to make a mix tape, however great or mundane. For washing dishes. Maybe a road trip, or a party tape to declare your good sensibilities. Perhaps to tell someone you love them. Wave a final farewell. Or, if you are that satellite, an electronic buzz for those lonely ballets along the farthest rings of Saturn. I’ve never made a proper mix tape before, where the order matters as much as the selection. When you receive this, please write back and let me know what you think.
* * *
M83 – Don’t Save Us From The Flames
Metronomy – Heartbreaker
Sugarcubes – I’m Hungry
* * *
If songs are satellites, then what is a playlist. S-, I wonder how you are faring. I have been thinking about you lately and am curious as to how the sum of our sporadic encounters will add up. If we have ascertained even a mere fraction of possibility. There’s a passage by Sheffield: I was young, idealistic, and reluctant to learn any of the ways of the world, even when it would have been to my advantage to do so. He says this just before meeting his wife. I suppose we are all afflicted by youth and idealism, as if it were something to be grown out of. The past couple years have been difficult; I’ve closed myself off to many things, little doorways and tightly bound closets. Just recently, I have been opening them up. In one corner, I discovered an affinity for you.
* * *
Camera Obscura – My Maudlin Career
Catatonia – Dazed, Beautiful, and Bruised
My Cousin I Bid You Farewell – Style and Grace (live)
* * *
This is a mix tape. It is a quantum flickering in and out of existence in the moldering heart of a woebegone galaxy. I have put it together, dismantled it, revised it, and devised a final form. It is a salvation of sorts. Perhaps it is the extension of a hand that reached across one loud night beneath a disco ball sky and dragged me back from the edge of a metaphorical ledge. Metaphorical because like youth, I hope sadness is something to be grown out of too. I don’t know. When I am beside you, my nonexistence becomes real. Does that make sense? For all the things I’ve lacked the courage to say, this tape can declare. It delineates borders. On the outskirts of these borders, black holes implode with much aplomb, inverted fireworks darkening the night. We are safe within our sphere, it is brighter here. And here, I exist only to collide with your phantom spark. Look! The evening sets. Our bodies twist to shadows, stretched by an indeterminate vortex. I barely know you.
* * *
Cassettes Won’t Listen – Freeze and Explode
Ladyhawke – Magic
Van She – Kelly
Janelle Monae – Many Moons
* * *
You tell me you are leaving. Soon, in a few short months, you will be crossing an ocean. If the job is permanent, you will stay there. If not, well, who knows where I will be. The future is haphazard and impetuous. We can spend years working towards a goal, only to be upturned by happiness down a side (and oftentimes, unforeseeable) path. I said I would miss you. I hope that didn’t come across as facetious because maybe you might consider it improbable for someone to miss another after so tenuous of a night, if we can even call ourselves friends over the scattered moments we’ve known each other. But it’s just as Los Campesinos shouted: absence makes the heart grow fonder, fondness makes the absence longer. And somehow, I feel like I’m being undercut.
* * *
Okkervil River – Lost Coastlines
Faded Paper Figures – North By North
US Royalty – Every Summer
Los Campesinos – We Are Beautiful, We Are Doomed
* * *
This is it. The mix tape begs for a reply, even satellites with a chest of messages still get unraveled by the looping deck; because, out in space, there’s only the nebulae to keep you company. There’s only stars. I don’t think I can send you this letter anymore because I am frightened by my hand, that with a pen the stroke of a sum can add to a holier union, that it is possible to alter the tide from its natural course to crash on a dearer shore. Some people live to affect. Others live to be an effect. This crush is crushing for an outcome.
Outside, the night air is warm, early for the season. The strange scent of flowers have crept in through the window screen. You found me on a cold day, I am finding you on a warmer one. Wherever you are, I hope you are well, and when you go, remember that life can take more than you are willing to give, even if you are prepared to be swept away. Should you return sooner than later, don’t be a stranger. S-, before I end this letter, I need to tell you: I do not know how to or if I love you, only that I am here, drawn as bees are, to trace the outline of your scent.
* * *
Audrey Sessions – Relentless
Union of Knives – Evil Has Never
Raine Maida – Yellow Brick Road
* * *
Yours,
C-
* * *
*Note: Lollerblades! This is me channeling sappiness! Also, actual mix is slightly different but that is because youtube does not have all of the songs. Should I give her this letter?!
2AM.
3AM.
The unreliable narrator
purports a lie.
4AM.
Along came New Years 2009 of which much fun and revelry apparated in the upper west basin of Los Angeles @ Arsenal Bar as we shouted raucous congenialities and embraced perfect strangers. It can also be said that my throat is still lined by keening lamps along miles of muck and pitch such that a traveler might take an extra year to arrive at his destination just as it might take an extra minute for my voice to reach coherence. Weathered a week of sickness yet remain weathered all the same.